if poetry were a man

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The landlord sits beneath a painting of a dog. The smoke of a dying 

cigarette laces her chin. A bus stops beside her window. A boy

with blue hair sleeps on a girl’s shoulder.  An older man toys

with his beard. The driver eyes a woman leaving, runs his hand

through his black curls. The landlord wants to speak of things,

little things.  But how? She is an artist and doesn’t know it.

Her tenant is an artist and knows it. Neither makes art

in a town where poetry’s a man who may or may not notice

 

her   today

a mile in the sleet is nothing, a train missed, a hem torn

in the hurry nothing. The promise not to smoke

goes where it came from, and she takes the winston, 

borrows money to pay for coffee she could have made,

holds the last page of the last chapter in her gaze to give

him time. Oh if poetry were a man and man 



a mute harbor, tell me what hour would pass without

her words pouring in the white ear and what evening 

without the wrist by its white bed? Every bench along the

malecon he walks is hers, every evening he spends in 

the bakery, hers, every reason to pass his balcony, hers. 

What chair? What beggar’s stall with the words passing, 

and she with her hand extended, unanswered? What timed



passion, what limit to madness? Come to her in a man 

and watch her follow. No verse would pass the avenue 

unnoticed. She’d visit every draft in its city, pound its door. 

Plead for it. And every time he comes with his fists is the last 

time, every warning, the last. A year passes. He still throws her,

breaks the plates, leaves her calls unanswered. Two nights and still



no volkswagen, still his silence. And when

it comes, because it comes in a man, she holds her words,

wears her prayer silks, raises her hands above her breasts, thanks

god for it. Then he leaves. Enough time passes. A grey trench coat

bows beneath a yellow awning, behind him, a beggar,

behind the beggar, her.



In another minute, he will bend to tie his right shoe, 

and she will pass him the way strangers do when they wish 

to be spoken to. And in the mind where a woman goes 

to be a woman, he will follow her down the stairs, through 

the train, not his, but where he wants to go now. In a town 


where lovers keep her from the page and bring to her poems, 

where thoughts remain permanent children in the nursery —

where an artist’s mind becomes like every other mind and nothing

passes a poet’s ear without a troubled woman

turning her neck to catch its gaze.





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portrait of a man

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I’m coming back, Dakota